Friday, September 30, 2022

Yeah Yeah Yeahs' 'Cool It Down' is an exhilarating yet unhurried return

Cool It Down, the first new record from Yeah Yeah Yeahs in nine years, is a product of fearless evolution.

The band's first new record in nine years confronts environmental ruin and pandemic-era isolation, but ends at a vantage of hope — one that sounds like it took all the intervening time to reach.

(Image credit: Jason Al-Taan/Courtesy of the artist)



* This article was originally published here

Thursday, September 29, 2022

'Words & Music' offers 15 demos Lou Reed recorded as a fledgling artist

Reed died in 2013. A new collection, recorded in 1965, captures the earliest-known versions of some of the Velvet Underground's best known songs, including "Heroin" and "Pale Blue Eyes."



* This article was originally published here

Wednesday, September 28, 2022

Lambchop's long and winding road

Kurt Wagner performs with Lambchop in September at the Walker Art Center in Minneapolis.

Kurt Wagner's Nashville collective has always been an expression of absolute possibility. The Bible, his best album in a decade, points that instinct at life's most inescapable truth.

(Image credit: Erik Westra/Courtesy of the artist)



* This article was originally published here

Sunday, September 25, 2022

Jake Blount's 'The New Faith' is a cautionary, clarifying Afrofuturist tale

Jake Blount

On Blount's new concept album, the singer, scholar and multi-instrumentalist reimagines field recordings of spirituals to tell a story about a time after the climate crisis has destroyed the earth.

(Image credit: Tadin Brown /Courtesy of the artist)



* This article was originally published here

Saturday, September 24, 2022

Makaya McCraven's 'In These Times': A musical marvel made by meticulous process

With In These Times, Makaya McCraven has perfected a method in which he weaves jazz improvisation and hip-hop recording techniques together with sensitivity that masks an obsessive attention to detail.

On his new album the drummer, composer and self-described "beat scientist" makes music by way of an elaborate hybrid method combining improvisation with careful editing. It sounds like magic.

(Image credit: Sulyiman Stokes/Courtesy of the artist)



* This article was originally published here

Friday, September 23, 2022

A review of Space Force's new anthem, 'Semper Supra'

The Space Force has released their new anthem, "Semper Supra." NPR's Ari Shapiro speaks with Stephen Thompson from NPR Music to review it.



* This article was originally published here

Thursday, September 22, 2022

Codeine's lost album 'Dessau' feels like a ghost

Following the Frigid Stars LP, slowcore trio Codeine went to Harold Dessau Recording studio in New York City in 1992. Pictured here, left to right: Stephen Immerwahr, Chris Brokaw and John Engle.

Scrapped and shelved until now, Dessau mirrors a particularly fraught moment for the slowcore band.

(Image credit: Mike Galinsky/Courtesy of Numero Group)



* This article was originally published here

Wednesday, September 21, 2022

The uneasy confessions of Alex G

Alex G

As a songwriter, Alex Giannascoli has long taken a mutating, playfully distorted approach. But on his new album, full of songs about morality, he astutely focuses every magic trick in his discography.

(Image credit: Chris Maggio)



* This article was originally published here

Monday, September 19, 2022

Take a musical moment for singer Rina Sawayama's new album

Laura Snapes, music editor for The Guardian, reviews Sawayama's "Hold the Girl."



* This article was originally published here

Sunday, September 18, 2022

On 'Hideous Bastard,' Oliver Sim mines horror tropes to embrace queer identity

On Hideous Bastard, Sim uses horror tropes in songs about celebrating what makes us monstrous.

On his debut solo album, Sim — best known as a member of The xx — takes inspiration from horror movie villains on songs that look for humanity in the aspects of our identity that society rejects.

(Image credit: Casper Sejersen/Courtesy of the artist)



* This article was originally published here

Saturday, September 17, 2022

On Quinn Christopherson's debut album, stories of growth emerge in monumental details

The songs on Quinn Christopherson

On Write Your Name In Pink, the Alaskan singer-songwriter turns a compassionate eye towards his memories, threading together small moments to reveal moving stories about love, addiction and growth.

(Image credit: Emma Sheffer/Courtesy of the artist)



* This article was originally published here

Friday, September 16, 2022

On 'Hold the Girl,' Rina Sawayama's stadium sound obscures her signature appeal

Each track on Rina Sawayama

The pop singer has superstar ambition and a knack for clever genre collisions. But while her new album sometimes matches intensity with innovation, it more often grinds her nuanced story to a paste.

(Image credit: Thurstan Redding/Courtesy of the artist)



* This article was originally published here

Saturday, September 10, 2022

Sudan Archives' vibrant music of exploration

Born Brittney Parks and nicknamed Sudan as a child, the artist is driven by her intense curiosity.

The self-taught violinist, producer, and songwriter doesn't just experience or consume global sounds; she interacts with them. Natural Brown Prom Queen feels like a world tour of her brain.

(Image credit: Edwig Henson)



* This article was originally published here

Thursday, September 08, 2022

'The Elephant Man's Bones' is the culmination of two careers

The Elephant Man

Holed up on opposite coasts, Roc Marciano and the Alchemist, two key figures in underground rap, have been gradually moving toward a shared sonic goal, reaching an apex with their new album.

(Image credit: Castro Clifton)



* This article was originally published here